Poet
Frisbee slices roses
Dog chomps Frisbee
Roses scratch dog
Frisbee slices roses
Dog chomps Frisbee
Roses scratch dog
Books:
Old Men (Salt, 2024)
My Tin Watermelon (Salt, 2019)
A Season in Eden (Gatehouse, 2016)
Vladislav Khodasevich Selected Poems, translations (Angel Classics, 2013)
Counting Eggs (Mulfran Press, 2012)
Pamphlets:
The Ballad of Captain Rigby (Personal Pronoun, 2013)
Mr. Luczinski Makes a Move (HappenStance, 2011)
Work & Food (Mulfran Press, 2010)
Through the Bushes (Smith/Doorstop, 2000)
Blue Mice (Vennel Press, 1999)
Be Prepared (Smith/Doorstop, 1994)
Peacock Luggage, with Moniza Alvi (Smith/Doorstop, 1992)
Breakfast in Bed, with Kenneth King and Kieron Devlin (Oscars Press, 1987)
I have won several prizes – first prize in the 2010 TLS Poetry Competition, the 2010 Ver Poets Competition, the 2008 Arvon competition, the 2002 Ledbury competition, and I was twice a winner in the Poetry Business pamphlet competition. These days I don’t write “competition poems” so much.
My Khodasevich translations were shortlisted for the Rossica, Oxford-Weidenfeld and Read Russia prizes.
In this collection, I look at my life as an older gay man, my London neighbourhood, my furniture, other people’s gardens and London’s creatures. The book ranges through tight rhyming to looser meditations and prose poems, words crafted to make some sense of the world.
‘Peter Daniels is engaged in a kind of poetic archaeology, unearthing what has been hidden and celebrating its considerable beauty. Here are poems replete with mirrored ballrooms, silk longjohns, rhubarb pavlovas, door bells, lemon yellow emulsion and ‘two men in bed unusually early’. My Tin Watermelon fizzes with queerness and rages against invisibility!’— Richard Scott
‘A compelling hidden history of things. A matryoshka of meaning. A curated exhibition of memorabilia, tidbits and outfits, flora and fauna, places and spaces that make up a home, an identity, a life. It has the intimacy of a private view: visceral, humorous, philosophical, perceptive. We’re seduced by the things but more importantly, the poet’s flair for conjuring up absent things. A treat to read.’ —Patience Agbabi
UK postage and packing is £2, plus £1 for each additional book.
For orders outside the UK, please contact me for pricing.
"The poems in Peter Daniels’s new collection are personable and urbane, like old friends who have dropped in to share the latest news, but also sensuous and spiritual. They wear their formal flourishes lightly, but get to the very soul of things, so that when you reach the final line, you know you have been on a journey, and even if that journey is simply to Dalston Junction or to the shops, something has been transformed in the process." – Tamar Yoseloff
"Peter Daniels writes poetry that fizzes with wit, bold ideas and unexpected turns. A Season in Eden shows the full, dazzling range of his skills, each piece creating its own brilliantly imagined universe. He is equally at home in the surreal and the political, in the labyrinths of memory and on the streets of twenty-first century London. These lively poems compel attention, swerving and diving and delighting." – John McCullough
ISBN 978-0-9934748-4-2
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My book Counting Eggs appeared from Mulfran Press of Cardiff at the end of April 2012. It’s my first collection, but in a way it’s really what they call a “new and selected”, as it contains 55 poems from the last twenty years or more. Only 6 of them also appear in the 2011 HappenStance pamphlet.
ISBN 978-1-907327-15-5
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Bilingual Russian/English; introduction by Prof. Michael Wachtel (Princeton); translator’s preface and notes.
Angel Classics, 2013.
ISBN 978-0-946162-82-6. (190 pages)
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In America published in hardback by Overlook/Ardis (New York), 2014.
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Poetry pamphlet, illustrated by Peter Forster
Personal Pronoun, 2013
ISBN 978-0-9556183-8-3. (20 pages)
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Click here to read more about the project to develop this book.
Through the Bushes,
Smith/Doorstop, 2000
ISBN 1-902382-22-6. 28 pages.
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Winner of the Poetry Business Pamphlet Competition.
Smith/Doorstop, 1994
ISBN 1 869961 62 5. 28 pages.
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Vennel Press, 1999
8 pages
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No. 10 in the Vennel Press's 'Brief Pleasures' series.
Send it to a poetry lover, like a greetings card!
Mulfran Press, 2010
ISBN 987-1-907327-05-6. 16 pages.
10 poems, 10 images.
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Envelope provided.
A Mulfran Miniature. One of a series of small-format pamphlets by a poet, alongside an artist whose images inspired or respond to the poems.
Poems by Peter Daniels, images by Moira Coupe.
I offer freelance editorial, typesetting and production work for organisations and individuals.
I am also the founder of Pronoun Press, an independent publisher based in North London.
Peter Daniels has long demonstrated his skill as a poet who can write about being a gay man, and he now applies this to the experience of becoming older, finding new love and looking back on how he has reached this point. He recasts the story of Don Quixote and Sancho Panza into a sequence exploring confusion and sanity in a relationship. The poems play with the texture of language, in a stimulating range of forms.
“Equally at home with open forms, ballad or sonnet, always musical, ‘Old Men’ galvanises, entertains and moves by turns. Meditations on mortality and desire and poems about the body with its shames and ecstasies sit intriguingly alongside explorations of the political and historical. This virtuoso collection with its gift of breathless, confident honesty, its beautiful ‘dirty soul’ and its ‘tenderness and filth’ is a rollicking read. Highly recommended.” – Jacqueline Saphra
“Among the old men in his powerful new collection, Peter Daniels accepts his own decline but also welcomes ageing’s new perspectives. Memory flourishes within the older body, as one of its most vital, still functioning organs: ‘our old selves still / enclosed deep inside us’. Even so, the past is past. Daniels’ old gay men still have futures to explore. A long-term relationship comes to an end, opening up fresh opportunities for a body still open to extremes of pleasure and of love. He wryly observes the dignity of age’s indignities and, in a brilliant sequence on Don Quixote and Sancho Panza, how dotage can seem sane and balanced. His language maintains a lastingly erotic interface with the world, and from the old age of his own queerness Daniels derives ample evidence of the reassuring queerness of old age.” – Gregory Woods